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Modern Home of Exquisite Minimalism in Es Cubells

Modern Home of Exquisite Minimalism in Es Cubells

Located in a rural area between Es Cubells, Porroig and Es Jondal, in one of the most desired areas of the south coast of Ibiza, this newly completed villa stands out above the rest of the island’s newly builded modern homes. A fact not hard to see, since it marks a clear difference for the quality of its materials, the elegance in contemporary, the iconic furniture, the avant-garde architecture and, of course, its location; presenting free and beautiful views to Formentera, and the Cala Jondal and Es Cubells bays and the nice villages of San Josep and Es Cubells can be reached within minutes. A home designed with taste and dedication, both horizontally and aesthetically, offering full performance of its location, with the right orientation of indoor and outdoor spaces.

 

© Kelosa | Ibiza Selected Properties

This is also an object that seeks to offer maximum privacy, but without being secluded, since there are several neighbors next to and in the nearby area. The property owns 2700 m2 of land, completely fenced and accessed by a private road with an electric gate. It is a plot of great quality, since its south-orientated, with more light throughout the year, sun downs in winter, summer cross-winds and a few other benefits which are found in the likewise south-orientated traditional Ibizan homes. In addition, as far as lifestyle is concerned, it is conveniently located between several desired places in the southwest of Ibiza, as well as 10 min. by bicicle to Es Torrent beach or less than 5 min. by car from Es Jondal beach. Ibiza Town and the airport are only about 10-15 min. drive away.

The main entrance to the house is the access to an extensive and bright room in a diaphanous open space, 3’30 meters high ceilings and a large panoramic window of 14 meters length, with sliding doors that invite to the spacious front terrace and open up to the iconic landscape and the intensive blue seaviews. Living room, dining room and kitchen are connected in the same space and, despite being technically the same room, the living room is visually disconnected from the kitchen and the dining room by the walls of the access to the lower floor, creating in this way an autonomous and “personal” space, but without being disconnected from the life of the house. The dining room is flooded with light and leads to an open high-quality custom-made Warendorf kitchen which is fully equipped and has electrically operated drawers. The highlight of the kitchen is the combination of macassar ebony wood and rolled stainless-steel finishes.

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© Kelosa | Ibiza Selected Properties

From this main room one can access the lower floor through stairs, separated by three walls that enclose the cubicle-shaped access with large front glass. This strategic window allows natural light to enter the space of the stairs during the day, and for the nocturnal hours bands of indirect lights subtly illuminate each of the steps. Windows are from the leading manufacturer PanoramAH!. These large windows are minimalistic, with 2 cm aluminium frames to ensure undisturbed views. All windows have electric, aluminium sunblinds, which enable the adjustment of the amount of light coming in to the house. Beautiful light and shade effects are the result.

The lower floor has a large master bedroom, with en suite bathroom and dressing room, as well as a private garden, and three more bedrooms all with bathroom en suite. The bedrooms are all on the lower floor and, despite having a considerable surface area, the ceiling heights decrease with respect to the upper floor in favor of a more secluded and cozy feeling. All bedroom doors are from the Italian manufacturer Lualdi, of the “invisible” type, as they are visually in one, smooth line with the walls. The bathrooms are very spacious and receive a lot of natural light, equipped with accessories of Italian design by Cocoon and functional designs of the German manufacturer Duravit. The shower walls in all bathrooms are cladded with a beautiful, dark natural stone. The master bathroom has a double shower, from where one looks on to an outside natural stone wall. All the bed- and bathrooms are fully equipped with quality custom-made wardrobes, and in the master bedroom have a eucalyptus wood finishing.

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© Kelosa | Ibiza Selected Properties

The furniture in the home is scarce, but stands out for its marked originality. Each piece is consciously chosen to give the minimalist space a sophisticated character. The living room, for instance, consists of the Lord Sofa and a Kay Recamiere chaise lounge, both by Christine Kröncke. The dining room table is made of a single piece of Kauri wood, a gigantic tree endemic to the North Island of New Zealand (called by the Maori natives as The Father of the Forest), with a wood that is prized for its hardness, versatility and its rarity. This unique piece is combined with the classic Nordic design Wishbone chairs by Hans J. Wegner and above the dining table there is a large suspension chandelier from Foscarini, the Allegretto Vivace. To decorate the large, white walls, there are 3 paintings of the internationally recognized German artist Gregor Gleiwitz, who had several exhibitions in Berlin, Los Angeles or London, for instance.

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© Kelosa | Ibiza Selected Properties

The architectural design manifests itself with a clear predilection for large spaces and high ceilings in common rooms, but also with a love for detail that is present throughout the house. This precision can be observed, for example, in the borders incorporated in the wall, presenting functionality without clashing with the sharp lines, or in discreet and balanced artificial lighting. The large windows of the front of the house can be defined as “invisible doors”, with an almost imperceptible frame which allows an uncluttered view of the landscape. The blinds have been chosen exactly the same shade as the frames for the least possible visual impact. The floors inside the main and the guest house and all the terraces are made of a lime stone from Portugal, emulating the local coastline rock, the marés, which forms the whole wall of the Dalt Vila citadel and was used since Ancient times in Ibiza. The terrace in front of the living room has not been covered on purpose, in order to give the buyer the choice of various options, which could be covered with a wooden pergola or by sun sails.

 

© Kelosa | Ibiza Selected Properties

The exteriors of the house are mainly built with natural products that do not clash with the landscape: native plants, bushes and fruit trees, natural stone walls, aged wooden beams; all these arranged creating simple geometric shapes. These forms are in turn typical of the minimalist design of the house and soften in a certain sense the contrasts between human design and the nature landscape. The exterior also offers several terraces and an elegant swimming pool, covered with dark stone tiles, which overflows on its four sides. The level of the pool is slightly elevated above the level of the terrace, and this in combination with the black pool tiles and the overflow on all 4 sides, gives a beautiful “mirror-effect”.

A lot of effort has been made with the landscaping; various areas have been created, using mostly local plants like lavender, rosemary, oleander and other mediterranean plants. Levels are separated by big natural stone blocks. In the garden one will find very large and old pine trees, olive trees and fruit trees. The garden offers full privacy from the surrounding houses. Underneath the largest and oldest pine tree in the garden, one will find DEDON’s Hanging Lounger, creating a relaxing chill-out area with beautiful views. There is also a separate guest house with two additional suites, each with its individual entrance, aswell as a personal studio apartment a fully equipped Bulthaup kitchen, which can be used by guests or a housekeeper.

© Kelosa | Ibiza Selected Properties

At Kelosa, we exclusively manage the sale of this property. If you wish you can access the information of this home for sale on our website here.

 

 

 

References:

Hidalgo, S. Los beneficios del minimalismo. Forbes. [consulted april 2018]

It is possible that the pictures and the content reaches us through different channels and is sometimes difficult to know the author or the original source of the content. Whenever possible we added the author. If you are the author of any content (image, video, photography, text, etc.) and do not appear properly credited, please contact us and we will name you as an author. If you show up in a picture and think it impugns the honor or privacy of someone we can tell us and it will be withdrawn.

Kelosa Blog editors are not responsible for the opinions or comments made by others, these being the sole responsibility of their authors. Although your comment immediately appears in Kelosa Blog we reserve the right to delete (in case of using swear words, insults or disrespect of any kind) and editing (to make it more readable) or undermines the integrity of the site

 

 

 

 

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front porch cala compte white angel luxury developmentTWA Cala Comte. Architecture & Lifestyle Management

TWA Cala Comte. Architecture & Lifestyle Management

The White Angel is a new luxury housing development project just 1 km from the beach of Cala Conta, one of the most popular destinations in the northwest of Ibiza.

© TWA Cala Comte | OD Group

The promotion was designed by the architect Víctor Rahola, originary from Barcelona and a reference today in the architecture scene of Ibiza. Rahola has proposed the plans of the houses in an L-shape, attributing them a design with a fine balance between tradition and avant-garde, bringing benefits of Mediterranean architecture together with a contemporary minimalist approach.

The catalan architect has made every effort to meet the expectations of the luxury lifestyle and at the same time ensure the sustainability of the environment. As Rahola himself tells, a year and a half of project have been needed to combine these two concepts, opposed in many of its elements, but not incompatible. Regarding sustainability, they have always tried to incorporate bioclimatic strategies to reduce energy demand: thermal (and acoustic) insulation, natural ventilation, sliding walls, passive protection, sun protection and garden roofs.

© TWA Cala Comte | OD Group

Each of the 15 units has 352 m2 of living area, with a terrace, two swimming pools, a garden and a basement. However, the surface of the plots can vary, between 600 m2 to 1000 m2, depending on the property unit. Each house has three floors, among which are the five bedrooms (two en suite). The garden and the main pool are on the ground floor. The main bedroom in the attic, with access to a large terrace with an infinity pool, from where you can enjoy the sea views and the famous sunsets of Cala Comte.

All homes of The White Angel offered the possibility of small customizations to the taste of their owners. In the complex there are three different types, which allow you to play with the variation of your own volumes. In reality the whole complex is projected as a “mat building”, a modulated system that by means of the diagonalization aims to generate the variety, as for example some interior spaces and the gardening could be different in all the houses.

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© TWA Cala Comte | OD Group

Inside as well as outside, the finishes are made of wood and Sinai stone. The sand colored floors next to the large windows transmit warmth and brightness. One can describe the interiors as a combination of large and generous spaces with the domesticity of the small, where the use of warm colors and white predominate and the furniture and the coatings always are in harmony in one same space. The position of the walls generate shadows and, in turn, allow natural currents of air that manage to refresh the environment of the house. It is entirely an architecture that, despite being fundamentally contemporary, express the character of the Mediterranean building style, specifically what refers the culture and architecture of Ibiza.

The director of The White Angel, Jorge Juan, highlighted that the company “carries out the project from beginning to end, which allows to control the whole process and offer excellent quality”. The fact that The White Angel Cala Comte was developed by a group of hotel experts brought the fairly recent trend of Lifestyle Management to this urbanization, with most kinds of premium services to expect as an added value. All the homes include an integral service, among which are the daily maintenance of the property, punctual repairs, but also transfers, babysitting service, organization of parties or restaurant reservations.

© TWA Cala Comte | OD Group

The location of the residential complex is another point in its favor: just a walk from the beach of Cala Compte, 5 minutes by car to Cala Codolar, 10 min. from Cala Bassa and the cliffs of Es Vedra and 20 min. from the airport and Ibiza Town. The natural landscape surrounding the complex is one of the most impressive on the island, with the sea always present in the background and can be enjoyed both in summer and in winter. It is ideal not only for sea and beach activities, but also a popular destination for bike rides, jogging or simply peaceful long walks.

What this promotion stands out for among others in the same environment, is the concept in which the hotel experience was put into practice to provide added value, in the form of service and customized solutions for the new owners. In addition to this, there are of course the exclusive location, being one of the last building plots of Cala Compte area; aswell as the sophistication of the design, adapted to the location and taking advantage of the last tendencies in bioclimatic and sustainability, both tendencies in modern architecture that are based some even on the vernacular architecture of the island.

© TWA Cala Comte | OD Group

According to the project managers, during their presentation, these mentioned before were the three main pillars that distinguish The White Angel’s brand; but on top of that we could also mention the quality of the houses, which are the result and control of all the construction phases – from the architectural project to the construction, the choice of materials, equipment and the importance of the human teams that participate in it.

References:

ACEBAL, Cristina (2017). The White Angel, la urbanización más exclusiva de Ibiza. Diario Expansión.

Social Network Official Page (2017): @thewhiteangelofficial. Facebook.

Europa Press (2017). Promoción The White Angel Cala Comte. Diario El Mundo.

Redacción (2017). The White Angel. Disfrutar de una vivienda exclusiva. Diario de Ibiza.

It is possible that the pictures and the content reaches us through different channels and is sometimes difficult to know the author or the original source of the content. Whenever possible we added the author. If you are the author of any content (image, video, photography, text, etc.) and do not appear properly credited, please contact us and we will name you as an author. If you show up in a picture and think it impugns the honor or privacy of someone we can tell us and it will be withdrawn.

Kelosa Blog editors are not responsible for the opinions or comments made by others, these being the sole responsibility of their authors. Although your comment immediately appears in Kelosa Blog we reserve the right to delete (in case of using swear words, insults or disrespect of any kind) and editing (to make it more readable) or undermines the integrity of the site.

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0_Exterior Finca Blakstad Front-(min)Blakstad Designed Finca. Intuitive Match of Traditional and Modern

Blakstad Designed Finca. Intuitive Match of Traditional and Modern

This modern home, situated on a hill in the middle of the wild nature of Ibiza, fuses the traditional native architecture with forms and elements of contemporary design. This personal design, created by Blakstad, is respectful with the environment and provides an atmosphere of cozy living, bringing a modern lifestyle approach to the local vernacular architecture of the island. This culturally sensitive approach to local architecture also reduces the visual impact on the surrounding natural and historic landscape of Ibiza.

© Kelosa | Ibiza Selected Properties

The concept that is based on the original archaic architecture of Ibiza, provides benefits from an ancient popular knowledge related to the bioclimatic and the sustainability of the building. The flat roofs serve to collect rainwater, which is channelled into a cistern for later consumption. The thick walls and small windows serve to isolate the buildings from the outside temperature, so that the interior remain cool during the summer and stay warm in the winter, adapting to the climate of each season. The main facade, facing south, fully captures the rays of the sun in winter and has a greater shadow in summer, allowing a cool breeze to enter the home. In addition, the white painted walls reflect the sunlight and prevent the overheating of the buildings in summer.

The modern minimalist touch allows the transformation of the traditional rustic farmhouse of small dimension and dark interiors, into wide, luminous spaces and diaphanous inner distributions. A series of subtle interventions combine contemporary design with traditional architecture, maintaining the charm of pre-existing structures in order not to loose the warm essence of the rustic style. For the most part it applies that the method, techniques and construction materials are still used as in the old Ibizan farmhouses. Added to this are structural improvements such as increased size of the rooms, higher ceilings and extended windows and skylights, which assure a more bright and light flooded interior. The characteristic wooden juniper beams are still maintained in many of the ceilings and, due to the austerity of the minimalist design, these hardwood beams assume an increased ornamental relevance.

© Kelosa | Ibiza Selected Properties

The house is in an exceptional location near the picturesque village of San Joan, in the northeast of Ibiza, offering wide panoramic views over the mountains all the way to the sea. The access road passes through a beautiful landscape of hills and pine forests and the property itself is surrounded by one of the purest natural sites to be found on the island, from where one can value the tranquillity and beauty of the rural setting. The house has several terraces that offer secluded as well as open spaces. Likewise, the garden offers a traditional landscape, with numerous old olive trees and other autochthone fruit trees, surrounded by different levels of ancient terraced farmland with beautiful natural stonewalls connected by stairs. In front of the villa there is an infinity pool with a large terrace, from where one can enjoy the panoramic view.

© Kelosa | Ibiza Selected Properties

Despite its minimalistic simplicity, the house was designed with great attention to detail, both inside and outside. The inclining walls of Phoenician influence invite the visitor through the main entrance leading to the living room with its high ceilings, its visible juniper beams and open fireplace. The modern style kitchen and the spacious dining room are connected with the living room. At the front of the villa a large terrace connects the living room with the exterior. On the first floor there is a very spacious master suite with its own living room, a fireplace and two further bedrooms suites. The separate annex has an office and salon that could be used as guest house.

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© Kelosa | Ibiza Selected Properties

The design is basically the result of a modern interpretation of the local vernacular architecture. Canadian architect Rolph Blakstad devoted much of his life to the historical study of the traditional Ibizan fincas and its origins, developing a thesis that claimed that the vernacular architecture of Ibiza is the most faithful legacy of the Phoenician and Egyptian constructions of the antiquity and remained largely unchanged throughout the centuries.

The Ibizan fincas are architectural manifestations of pure simplicity and functionality, born of the needs of self-sufficiency with which the inhabitants of the island had lived for centuries. Throughout most of its history, Ibiza was a cultural and economically isolated society that had to use local resources and knowledge in order to survive. Therefore, the construction method pursued subsistence and practicality, thus developing bioclimatic properties and resource sustainability (by necessity). The traditional farmhouses are often completely absent from decorative elements, revealing a large number of technical and aesthetic similarities with the minimalist architecture.

© Kelosa | Ibiza Selected Properties

Blakstad’s intuitive approach is on one hand impregnated by ancient traditions, the result of decades of dedication, and, on the other hand, developed from an appreciation of the need to adapt creatively to current trends without losing the cultural identity of the island. The result is an indisputable success: currently Blakstad Design Consultants enjoys great popularity, setting a trend in Ibiza among an international clientele and lately even imitated by other architects. And it is not surprising, since the simple and symmetrical beauty of its cozy spaces invade the visitor with a feeling of calm and serenity, fact that make these homes a unique experience to live in Ibiza.

This Blakstad house is currently For Sale

 

 

References:

White, C. and Blakstad, S. (2012). Ibiza blakstad houses. Barcelona, Spain: Loft.

Pérez Gil, Javier. Qué es la arquitectura vernacula. Historia y concepto de un patrimonio cultural específico. Ed. Universidad de Valladolid. [consulted Agost 25, 2017]

Sánchez, Raquel (2013). El legado intelectual de Blakstad. Diario de Ibiza. [consulted Agost 25, 2017]

It is possible that the pictures and the content reaches us through different channels and is sometimes difficult to know the author or the original source of the content. Whenever possible we added the author. If you are the author of any content (image, video, photography, text, etc.) and do not appear properly credited, please contact us and we will name you as an author. If you show up in a picture and think it impugns the honor or privacy of someone we can tell us and it will be withdrawn.

Kelosa Blog editors are not responsible for the opinions or comments made by others, these being the sole responsibility of their authors. Although your comment immediately appears in Kelosa Blog we reserve the right to delete (in case of using swear words, insults or disrespect of any kind) and editing (to make it more readable) or undermines the integrity of the site.

5187
Kelosa-Modern-Villa-minimalist-design-outside-4-2(1)Modern Villa in the Heart of Ibiza. A Balance between 3 Styles

Modern Villa in the Heart of Ibiza. A Balance between 3 Styles

Located between Santa Gertrudis and San Mateo, at Ibiza’s center and one of the most rural areas, is this modern villa with a unique design that stands out for its minimalism, elegance and expressive geometry. Although at first glance this modern home doesn’t seem to bear any resemblance, this work by Parisian architect Pascal Cheikh-Djavadi was built on a ruin of an ancient Ibizan finca and represents largely a reconstruction thereof, based on traditional elements such as construction plans, materials and distribution of the house.

© Kelosa | Ibiza Selected Properties

Previously this place had been a neglected plot, surrounded by unspoilt nature sprouting from old cultivation terraces, made of characteristic dry stone walls that held meadows covered with wildflowers and fruit trees. The appearance of abandonment of the ruin suggested a complete reconstruction, but both the architect and the owner were admirers of the principles of the vernacular architecture of Ibiza and chose to include fundamental aspects of the traditional rural house. This was probably done through a deconstruction of concepts at first, then to regroup the most basic and easy to combine with an essentialy contemporary style.

Characteristic elements of Ibizan architecture have been embraced in this building, such as keeping the rectangular plane of the main hall, a south facing main entrance, juniper beams on some of the ceilings and fewer windows than what is usual in modern homes. The minimalist design and the large size of the rooms does not seem to bear any relation to the traditional house of Ibiza, but by adopting some fundamental aspects of it, apparently hidden, one is able to perceive a similar sensation. In fact, apart from its cubic forms, these two architectural disciplines share several fundamental similarities, which makes them relatively easy to combine and newer parts of the structure fit smoothly with the old parts.

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© Kelosa | Ibiza Selected Properties

With the construction, the height of the ceilings have doubled and the space of the rectangular main room expanded, while the bedrooms and other secondary rooms show smaller spaces. The typical height of 3.5 meters of the Ibizan finca has increased to about 7 meters high in the large living room with kitchen, combining a strictly quadrangular structure of the exterior with a vaulted ceiling that extends throughout the interior roof. These elegant curves are surprising to fit perfectly with the rest of the design, which by its minimalist nature tends not to show this kind of silhouettes, since seeking the purity of form and space, leaving aside any ornamentation, minimalism architecture tends to be elementally rectilinear. This vaulted ceiling also seems to add a touch of softness which often lack of the minimalist interiors.

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© Kelosa | Ibiza Selected Properties

The interior of the house combines simplicity and personality in a balanced manner, where a fresh and cozy sensation convey simultaneously. In the multipurpose living room a series of consecutive vertical windows, together with whitewashed walls and polished concrete floors, cause an attractive play of light and shade. In the living room and master bedroom there are discrete fireplaces found in the walls without any finishing. The furniture is carefully chosen and there is a neutral colour palette with touches of selected colours that blend with the overall concept. The furnishings and interior design as a whole shows a significant influence of Japanese Zen design, with elements such as tatami beds and low cut furniture, indirect lighting and paper lamps, large passing areas, clear main walls, absolute order and minimum presence of accessories.

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© Kelosa | Ibiza Selected Properties

Among the furniture and accessories there are many iconic objects like the Eames Lounge Chair and Rar Armchair by Charles & Ray Eames, the DS-600 sofa by Ueli Berger & E. Peduzzi Riva, the Butterfly Chair by Jorge Ferrari-Hardoy, the Bertoia Side Chair by Harry Bertoia, the System 1-2-3 chairs by Verner Panton and lamps as the One-Arm Floor Lamp by Serge Mouille or the ‘Pipistrello’ Table Lamp by Martinelli Luce.

The master bedroom is also a pretty unique space, where in front of the bed there is a bookshelf that raises to the ceiling and a protruding window on the left. This bulging window seems to feature a large eye that covers the landscape from the inside, while the window frames are deep enough to provide seating for several people, like a small room that connects the home interior with the outside natural environment. The protruding window represents a transitional space that offers direct views of the colorful countryside and brings character to the house in general.

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© Kelosa | Ibiza Selected Properties

Regarding the outside of the house, a pure minimalist design and simple geometry is shown, with rigorous simple lines, functionality, spatiality and a clear tendency to reduce to essentials. The rectangle shape is repeated in various scales, like the plans of the modules of the house, the windows and doors, fireplaces or the swimming pool. Being surrounded by wild countryside, in a first moment the house has a impactful effect on the observer; however, knowing the background with which the architect designed the house, the determination with which he has worked starts to make a lot of sense.

The personal style of Pascal Cheikh-Djavadi is difficult to define, since in what refers to design his works differ considerably with one another, but they always show character and stand out for their audacity. Its possible to say that his style, minimalist in essence, can adapt very well to other architectures or influences. Cheikh-Djavadi also demonstrates a rigorous attention to detail and is acutely aware of the location and dimensions of his works, aspects that affect such important elements as light and the building’s bioclimatic.

© Kelosa | Ibiza Selected Properties

Through the conservation of the axis of the entrance of the old building and by expanding the living area, with the addition of two new cubic volumes on both sides, it becomes clear that a balance has been achieved between the traditional architecture of Ibiza and creating minimalist spaces. Taking into account aspects such as quality of life and modern comfort, this house has provided improved habitability and turns out to be more homely with respect to any of the two architectural disciplines that have been combined. We can say that this villa, regardless of any architectural taste, is one of the best designed contemporary homes with character, respect and attention to detail that currently exist in Ibiza.

At the moment, at Kelosa we have this fabulous villa for sale. To access the details you can click here

 

 

 

 

 

 

References / Quotes:

Architect Pascal DJAVADI. Atelier Arcos Architecture. [consulted 25/7/2016]

Davies, L. Villa in Ibiza – Pascal Cheikh Djavadi. An Urban Village. [consulted 25/7/2016]

Mi Casa. Vivienda en Ibiza. [consulted 27/7/2016]

Eeman, V. Ibiza à l’heure italienne. Villas Magazine [consulted 27/7/2016]

Côté Maison. Le retour de la petite maison sur la colline. [consulted 27/7/2016]

Grimshaw, C. Ibiza Uncovered. The Guardian [online] [consulted 25/7/2016]

DecoPasion.com. Decoración Zen. [consulted 1/8/2016]

LLI Design. A Guide to Iconic Furniture. [consulted 1/8/2016]

 

It is possible that the pictures and the content reaches us through different channels and is sometimes difficult to know the author or the original source of the content. Whenever possible we added the author. If you are the author of any content (image, video, photography, text, etc.) and do not appear properly credited, please contact us and we will name you as an author. If you show up in a picture and think it impugns the honor or privacy of someone we can tell us and it will be withdrawn.

Kelosa Blog editors are not responsible for the opinions or comments made by others, these being the sole responsibility of their authors. Although your comment immediately appears in Kelosa Blog we reserve the right to delete (in case of using swear words, insults or disrespect of any kind) and editing (to make it more readable) or undermines the integrity of the site

4393
Josep lluis SertJosep Lluis Sert and the GATEPAC Group

Josep Lluis Sert and the GATEPAC Group

Josep Lluis Sert i López (Barcelona 1902 -1983) is considered one of the most important architects of the 20th century and was one of the introducers of modern architecture in Spain. He was a son of a bourgeois Catalan family of textile industrialists, but socially committed and with democratic ideals.

In 1923 he entered the School of Architecture of Barcelona and was critical of the teaching methods of that time. Therefore, together with Josep Torres Clavé he founded the Association of Students of the School (1926), the embryo of the future GATCPAC (Group of Catalan Architects and Technicians for the Progress of Contemporary Architecture). Sert finished his studies in 1929 and moved to Paris, where he worked in the architectuire firm of Le Corbusier. From then on both of them maintained a close professional and academic relationship.

Paul Lester Wiener, Le Corbusier and Josep Lluís Sert

In 1930, Sert and Torres Clavé promoted the foundation of GATCPAC and in 1932 the GATEPAC (Group of Spanish Architects and Technicians for the Progress of Contemporary Architecture). In its first board of directors were the architects Rodríguez Arias, Illescas, Churruca and Alzamora, and later Subirana, A. Bonet and others joined aswell. This was the introductory group in the State of the modern movement of architecture, “the Nouveau Spirit” and the rationalistic and avant-garde tendencies. This group also edited the magazine A.C. (Documents of Contemporary Activity), published between 1931 and 1937, which constituted a platform of knowledge of the artistic expressions and diffusion of the new tendencies, aswell as architecture and urbanism, photography, visual and decorative arts, literature, gardening and furniture. GATEPAC has also been involved in the improvement of other areas, with proposals such as the construction of schools, the reduction of illiteracy and basically the modernization of the Spanish education system.

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Primeras publicaciones de la revista A.C. (1931-32)

Together with Le Corbusier and Pierre Jeanneret they presented the urban planning project for the city of Barcelona, according to the modern principles of the “Functional City”, better known as Plan Macià (1933-35). Josep Lluís Sert also projected housing, school buildings, hospitals, etc., always incorporating technical, formal and rationalistic language innovations. After that achievement, the government of the Second Republic commissioned to Sert the project of the Spanish Pavilion for the International Exhibition in Paris (1937), showcase and teaching about the values that the republic preached and defended.

Arquitectos del GATEPAC

After the Civil War, during which his partner Torres Clavé died in the front, Sert was judged by a military court that disqualified him to practice professionally in Spain. For this reason, in 1939 he settled in New York, where he collaborated with Paul Lester Wiener with projects in which he used prefabricated structures for the American war administration. With Wiener and Paul Schulz he founded the technical office Town Planning Associates (TPA, 1945-1958), which carried out important consulting on projects and urban designs, at the request of the United States government, mainly for Latin American countries. In the United States, Sert gained prestige and worldwide repercussion with his works and teachings. He is the first Spanish dean of the Harvard School of Architecture (Graduate School of Design – GSD) and president of the International Congress of Modern Architecture (CIAM).

In 1953 he was appointed director of Harvard’s architecture faculty as successor to Gropius, a position he held until his retirement in 1968. He began his second American career with his partner Ronald Gourley and became one of the most prestigious architects among the US Establishment.

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Left: Joan Miró and Sert. Right: Holyoke Center, Harvard University

The Ibizan Inspiration.

In Ibiza of the 1930s, Sert meets an original architecture, uncontaminated, efficient and with a beauty of simple forms and minimalist in its core. The Ibizan traditional houses appeared as an achievement of white cubic habitations with human scale, functional and almost without any decorative elements. An architecture without architects or plans, built by the peasants themselves, born with the materials provided by the land and, far from altering the landscape, these buildings merged with it. Described many times by Sert as an archaic technique that corrects mistakes and adds success until the result that it is today.

Both Sert and his fellow architects of GATEPAC found in these very ancient constructions a model to follow, a model to project the new architecture that they were developing and it was collected in the A.C. magazine.

 

These were lessons that Sert will never forget and the houses he builds from 1934 will incorporate multiple elements of the Ibizan Finca. Flexibility, juxtaposition of simple bodies in which repetition and difference combine, and unity of scale in composition and diaphanous interiors adapted to the unevenness of the terrain, which offer different possibilities of organization and room, will already be determinant parameters.

Sert wrote in 1934 that the Ibizan was an “architecture without style and without architects, geometric constructions simple, purely utilitarian, of an exemplary dignity, a rest for the eyes and for the spirit … all its elements have the right measure, the human measure”. Sert also sought to establish a dialogue between the rural architecture of Ibiza and some aspects of the new discipline, such as the use of the measurement system developed by Le Corbusier that gives human scale to this architecture. He wanted to perpetuate a language, a system of forms that had been in existence for centuries and adapt it to the uses and needs of the modern lifestyle.

Between 1964 and 1969, together with Rodríguez Arias, he designed and built the Can Pep Simó residential complex in Ibiza’s Cap Martinet area, which consists of 6 single-family homes and apartments known as Els Fumerals, a work in which he develops the concept he had always defended, the “contemporary equivalent of traditional forms”. As Sert himself explained: “In this urbanization we have used a measurement system devised by Le Corbusier called ‘modulor’, which is based on the golden section, a system that allows to maintain a human scale and obtain proportionality in all the compositional elements that, although they are repeated, always appear as different”. Like the Ibizan fincas, the houses of Cap Martinet are open constructions that accept extensions of many different forms.

[gallery columns="2" link="none" size="full" ids="3521,3519"]

Urb. Can Pep Simó (1969)

The Documentation and Conservation of Architecture and Urbanism Foundation of the Modern Movement cataloged the urbanization of Can Pep Simó within the section ‘Modern housing’ and was declared of cultural interest in 2009.

After his visit in Ibiza in the 1960’s, Sert noted that things had changed on the island with the tourism and urban development. He then warned about the risks of landscape blending and destruction that threatened the island: “Introducing elements of imported architecture will destroy the unity and harmony that have survived over the centuries. Imposing a constant discipline of limitation to authentic forms works against Ibiza to remain what it is, something unique.” In fact, he was right. From the decade of the 1970’s the tourism development manifested itself in a large part of the local population in the forgetfulness of the old trades, among them, the secular wisdom turned in its constructions. The ancestors traditional house was changed for an urban apartment or an impersonal house and in great number the traditional houses disappeared or they turned into ruins.

After retiring, Sert was appointed professor emeritus and doctor honoris causa by the Harvard University. He also received an honorary doctorate from the University of Boston (1970) and from the Superior Technical School of Architecture of the Vallès (1981), and the Medal and Honorary Chair of Architecture Thomas Jefferson (1970), the highest professional decoration of the USA. In 1981 the Superior Council of Architects of Spain and the Generality of Catalonia awarded him with the Gold Medal of Architecture. In 1982 the Spanish government awarded him the Gold Medal for Merit in Fine Arts.

Josep Lluís Sert has been the most international Spanish architect in the 20th century. He left an indelible stamp as an outstanding theoretician, and as creator he left a legacy that remains an example to follow. Years after his death, Sert continues well present in diverse institutions, especially in the Architect School.

Sert died on March 15, 1983 in Barcelona. Due to the special significance that Ibiza had for him, he asked that his remains rest on the island and were deposited in the cemetery of Jesus, where a modest tile says ´Sert. 1928-1979´. But in this secular and humble epitaph half a century of magisterial architecture is enclosed.

 

 

 

 

 

 

 

 

References:

González, Miguel Ángel. La Huella de Josep Lluís Sert en Ibiza. Diario de Ibiza.

Marí Torres, T. and Torres Torres, R. Grupo de Arquitectos y Técnicos Españoles para el Progreso de la Arquitectura Contemporánea (GATEPAC). Ibiza: Enciclopèdia d’Eivissa i Formentera.

Jiménez Díaz, Manuel. Sert i López, Josep Lluís. Ibiza: Enciclopèdia d’Eivissa i Formentera.

Havard University Repository. Sert, Josep Lluis, 1902-1983. The Josep Lluis Sert Collection: An Inventory. Special Collections, Frances Loeb Library, Harvard Design School.

 

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